So what miles davis piano

Who played piano for Miles Davis?

Red Garland

What key is so what?

So What by Miles Davis is in the key of A Minor .

What instruments are in So What by Miles Davis?

This song, called “So What,” is one of the most recognizable jazz songs around the world. It features Miles Davis on trumpet , John Coltrane on tenor sax , Cannonball Adderley on alto sax , Bill Evans on piano , Paul Chambers on bass and Jimmy Cobb on drums .

Who is the greatest jazz pianist of all time?

The 50 Best Jazz Pianists Of All Time 7: Bud Powell (1924-1966) 6: McCoy Tyner (Born 1938) 5: Oscar Peterson (1925-2007) 4: Herbie Hancock (Born 1940) 3: Bill Evans (1929-1980) 2: Thelonious Monk (1917-1982) 1: Art Tatum (1909-1956) Now you know the best jazz pianists of all time, discover the 50 best jazz trumpeters here.

What is considered the greatest jazz album of all time?

Kind of Blue

Who solos on so what?

personnel: Miles Davis, trumpet; John Coltrane, tenor sax; Cannonball Adderley, alto sax; Bill Evans, piano; Paul Chambers, bass; Jimmy Cobb, drums.

You might be interested:  How to buy a piano

Who wrote BTS So what?

Min Yoon-gi (Korean: 민윤기; born March 9, 1993), better known by his stage names, Suga and Agust D , is a South Korean rapper, songwriter, and record producer. Managed by Big Hit Entertainment, he debuted as a member of the South Korean pop idol group BTS in 2013.

Who wrote so what jazz?

Miles Davis

What does modal jazz mean?

Modal jazz is jazz that makes use of musical modes often modulating among them instead of relying on one tonal center. Although precedents exist, modal jazz was crystallized as a theory by composer George Russell in his 1953 book Lydian Chromatic Concept of Tonal Organization.

What did Miles Davis?

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.

How was kind of blue recorded?

Kind of Blue was recorded on three-track tape in two sessions at Columbia Records’ 30th Street Studio in New York City. Only “Flamenco Sketches” yielded a complete take on the first try. That take, not the master, was issued in 1997 as a bonus alternate take.

Leave a Reply

Your email address will not be published. Required fields are marked *